SAMMY
b y Chuck Kelly
EXCERPT
To all the Black heroes of the Old West who were lost in obscurity.
May this novel anew your memory and assure you of prominence
in the sands of time.
PROLOGUE
Louise Collier's high heels clicked on the hardwood floor
as she walked briskly across the room holding a packaged manuscript.
Her hairdo was pinned tightly to her head and her long print
dress rustled against her legs as she walked through the room
filled with piles of paperback books stacked on top of each
other. She felt a pang of excitement as she walked through
a door marked "Publisher - Bentley Keller."
"Here's the manuscript from that nice young man you sent
out west," she said, handing Bentley Keller the manuscript.
Bentley's eyes shifted quickly to the package. He was in his
mid-fifties, overweight, and wore expensive clothing. The
diamonds on his fingers sparkled and his eyes grew large as
he held the script. He said nothing as he ripped into the
package and pulled out the pages of a novel.
"I hope he's all right, living out there with all those
savages." Louise stood beside his desk, toying with her
fingernails. Even though she was an attractive woman, Louise
was nearing twenty-five and had not married. She had the horrible
fear inside that she just might be an old maid.
"He'll be okay," Bentley grunted. "He's fresh
out of college and going out west is the best thing that could
happen to him. He'll be one of my best writers someday."
Louise walked to the chair in front of the desk and sat down,
her knees together.
"I don't see why you didn't just let him sit in there
with all the other writers and make up those stories. He seemed
so nice."
"I have to know what's going on," he said, ignoring
her sentiment for the young writer. "I feel out of touch
with things here in New York. It's 1880 and I need to know
what's happening out on the frontier."
"What's really going on out there in the wild, wild west
might not be exciting at all, if your writers tell the truth
in their books."
Bentley was on the defensive. He looked at her sternly and
said, "I can take any story and turn it into a dime novel.
The trouble is, my writers all start to sound alike after
a while. I need fresh stories about the west."
"Oh, I know that, Mr. Keller. I'm just thinking about
that sweet young thing out there with all those..."
"Here's a note," Bentley said, taking the top sheet
from the script. "Let's see what he has to say. 'Dear
Mr. Keller, the enclosed manuscript (that I hope you will
use for a dime novel) is a little different than what I expected
to find out here in the west. It's a story about a colored
man who wanted to become a cowboy, but instead, becomes a
gunfighter. There are a lot of Negroes who are cowboys, and
some are gunfighters. And get this-no one has written about
them. Some of them aren't treated very nice as you will see
when you read my story. I got the story from a bartender in
Abilene. Sincerely,' and he signs his name."
Louise was excited. "A Negro cowboy! That sounds exciting.
I'd like to read that one myself. What's the name of the novel?"
Bentley reads, "'Sammy Morgan - Black Gunfighter, by
Cole Taylor.' I don't know about that title. I'll probably
change it." He lit a cigar and leaned back.
"You want to read this? Be my guest," he said pushing
the manuscript across the desk towards Louise. "You read.
I'll take notes."
Louise got herself comfortable, peeled off the title page,
and began to read.
|